Photographic realism oil painting pays attention to details of the extreme,details of original image after many times magnified
Also due to the amplification of the oil painting details added image ontology complained of force. Li Xicheng in the exhibition of the spider-man series one of for with coating of spider artificial clothing such as duck’s portrait, fully shows the dangerous spiderman aerial work. GuFang “chaoyang” for bathed in sunshine in the horse’s coat, reveals the fur of rich burnish feeling behind an outbreak potential of horse. On the still life performance, Xu Qingwei “shells” design the white porcelain enamel conch shells and charred black charcoal compared meaningfully, “light and shadow” fabric of Li Chongjun a coarse weave linen pocket, texture clear wood and goats skull shifting between light and shadow, Wang Wenbin “the home has wedding” display a table delicacies dishes fullness, through the amplification of details show narrative of the object itself. Photographic realism often and concept of contemporary art together, form a conceptualization of realism. Wang Yi in the custom oil painting exhibition “reading” is characterized by extreme realism into a hang half air and half immersed in the water of rusty surgical scissors, in the dark space of air suspension and glassware for GouZhi water refraction, as in the case of installation art is full of metaphor. At the very least, can feel from the picture that frequent floating suspense, contemporary society with psychological experience of weightlessness. Yang Zhijiang “toys” on the picture showed a sniper rifle toys with waste components welded, the objective description of work to eliminate subjective, super realism to reproduce, but also for the spellers almost non-physical toys. This kind of idea and the implicated, no doubt, come from the device that took the toy gun, and super realism amplified again the expression of the idea.
Can often be found in the YiXiangXing realism is the exhibition of a realistic type. This YiXiangXing it is realistic to expressive closer, exaggerated stroke irrational performance, such as Liu Yuan “when the wind blows”, wang yue’s “silent movement landscape – wild whangee water” and so on, through expressive brushwork broke the static realistic images, which reinforces the subjective emotion. Two fundamentally started the modelling of imagery, and combined with the use of free brush. Such as TongYan RuNa “series of comrade labrang”, sang the “seven of lotus and”, amith jj basin, a series of scene, LiGuoJun of changbai sketch in the spring dance, Wang Haijun of the ans house # 3, of a “okra”, Liu Guangmei founding “indoor scene 3”, “road” li jianping, the auspicious Mongolia, blog, Liao Youcai Li Xuefeng of “red chair”, “till” Du Chunhui and Wang Xiongwei khe sanh, qingyuan and other works, trying to imagery through the watch to change present methods, namely in the realistic basis of “reality” into “meaning”, in “meaning form” of aesthetic creativity. Three is to push the YiXiangXing realism again to abstraction, and through the simplification of the image processing to enhance image implication of picture. Such as “the mirror of the heart four” to Mr Yeung is through the picture to simplify and make the work to some degree of abstraction, flutters works “mirror heart” implies to get full expression. Cross between realistic contracted with abstract and Jia Shanguo natural rule of aquatic wood,, rainy season 4, wang liu ling’s language “, Wang Haifeng city direction and Chen Xinyu “build, live” and so on, these works are mostly reduced space depth and color contrast, and seek the same hue of color differential meaningfully.
Phoenix young contemporary oil painting exhibition “” the first art is relatively concentrated, show the ways of the contemporary Chinese oil painting youth painter aesthetic view and they feel the depth and breadth of the society. Realistic oil painting localization in their generation to become integrated with package harmony, namely, to express their own cultural experience and life experience as the main body, to the aesthetic experience of contemporary Chinese local culture as the basic, and the European tradition realism oil painting, modernism and postmodernism to repackage for integration. There is no doubt that they the exploration of the contemporary realistic oil painting more highlights the value and significance of contemporary Chinese culture construction autonomy, they continue to belong to their own art history
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