The concept of art comes from wang anyi paintings after classic series

The concept of art comes from wang anyi paintings after classic series

Fashionable artist wang guangyi, supplier “as the main representative. If, neoclassicism emphasizes respect for the traditional research, the harmonious, proportion, color, modelling language, such as the structure in his works oil painting reproductions reflects the respect for the people, the praise and yearning of ideal beauty, so after classicism emphasizes the reflections on the traditional, correction of history and culture, pay more attention to the form of ideas rather than language. It emphasizes that reflect on the survival state of the humanity as a whole, seeking the spirit of the main body of the young and dynamic behavior of life, to build a new mode of more humanistic spirit. Wang guangyi said: “our aim is to make human peripheral pathological culture of mud, young noble and healthy cultural spirit of the body.” [4] d said: “Beethoven, Bach, Handel the great and sacred music is the only thing that can make me forget everything.” , “China’s problem is for all kinds of suffering the most lack of deep reflection and experience, never like Bach, Beethoven, full of great human emotion to show great pain.” [5] they try to go beyond pure modelling language to explore, but also have to find a cultural icon, to make public the Christian culture of the canvas reproductions¬†human spirit. Wang guangyi choose leonardo Da Vinci’s “Mona Lisa”, the virgin of the rocks, Michelangelo’s “mourning the Christ”, David “the death of mara, pattern reform and new structure, strive to presented classical solidification lofty great this rational image and serene. “With self life will create behavior will be a kind of lofty spirit — people for their own special place in the universe was faith, into the scheme, making it a perceived beyond general entity, thus rendering the possibility of life is higher than that of the purpose of life itself.” [6] d is borrowed from the burned in the flames of self-destruction image of Christ, to express the pain of the tragedy and guardians will power. The medieval castle and the pursuit of unlimited gothic cathedrals, become a kind of solemn symbol, sublimation and purification of the soul in the mystical experience. Powerful hand holding the blade of knights (see David’s oath of Horace brothers and one in the picture the hero) embodied a kind of cultural criticism and reconstruction of conviction. Here, though they adopted the motif and the culture symbol of classicism, but fundamentally revised its artistic language, borrow classicism, demonstrates the modern soul to save itself. As a young critic said: “the spirit of the western culture but they are used to contain our national soul shell, dormant in their soul, is to our modern, national spirit from the introspection and criticism of.” As after impressionism is the result of impressionism and backwash of impressionism, after the classical and neoclassical and new classical although there are intrinsically linked, but in terms of aesthetic ideal and value orientation have very big difference, it is both romantic and ideal (‘s seriously thinking about the future of the human and firm belief) is reality show (nature of the human soul and spirit phenomenon criticism). No romance, no enthusiasm, unable to awaken people to destruction of the soul, without reality, there is no rational understanding and sober. Wang guangyi and d care about 0 s works, beyond their previous “north polar culture” and “loess plateau” local motif, by the western oil painting image into some kind of eternal in the human civilization and lofty cultural space. It is in this sense, not in general use classical subject sense, I think, their thought idea and the inner spirit, still is rational, the classical in nature. And to modern western philosophy and art, from dilthey to heidegger’s historicism to historicism to subjectivity, is rational thoughts to irrational thoughts. TengShouYao thinks, “futurism, dada and surrealism art practice is mostly based on war, industrialization and fascism on the shock and damage caused by the reality of experience. This kind of experience forced artists to get rid of the religion, sacred, heroism, and pure things. As a result, this kind of art is fundamentally a departure from the rational and objective demands, pointing to a non skopos theory and the progress of art concept, this concept along the route of pure creativity and self experience.” [7

such as harmony, clarity, oil painting preciseness, universality and idealism. Because classical highly exalted ancient art, classic one oil painting word (” classical “or” classic “) is sometimes used to refer to one of the best oil paintings¬†things of its kin

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